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In the early 1950s, whilst on his first trip to the United States to promote Taittinger champagne, Claude Taittinger met Rudy Kopf, who would later become their partner for the distribution of Taittinger champagne on the other side of the Atlantic. After getting to know each other better, Kopf asked Claude the following question: “In tomorrow’s world, there will only be space for big corporations and artists. Which side will you choose for Taittinger champagne?”. Instinctively, Claude Taittinger replied: “The artists!”; thus, setting out the direction in which he would take Champagne Taittinger when he took over as President 10 years later.
Having forged strong links with several artists, Claude Taittinger created the Taittinger Collection in 1983. He received support from some of the greatest names in contemporary art to showcase the best vintage Grands Crus produced by the Champagne House. The bottle becomes both the canvas and the inspiration for a creation, signed by a distinguished artist. The Hungarian artist Victor Vasarely was the first artist to produce work for this unique art gallery, which to date includes a long line of designs by artists such as André Masson, Roy Lichtenstein, Imaï, Rauschenberg and Amadou Sow.
Artist: Vieira da Silva was born in Lisbon in 1908 and died in Paris in 1992. She divided her life between the cultural centres of both Portugal and France. She set up home very early on in Paris with her husband, the Hungarian painter Szenes, and she successfully enrolled in the famous Paris (ART?) school. She was captivated by a production of A Midsummer Night's Dream and used it as inspiration for her understanding of space as shown in the design of the stage and the depiction of the relationship between reality and make-believe. Vieira da Silva created happy paintings. The rhythm of the lines and colours have an intense musicality and mysterious feel. Imagination is not so much a construction of the mind, but a way of creating it. This paradoxical association runs through all of Vieira da Silva’s work, caught between effusion and restraint, meticulousness and chaos, and darkness and light.
Art: For her design for the Taittinger Collection, she had fun placing the precious bottle for a split second behind one of those remarkable stained glass windows which she alone could imagine. The spots of colour which landed on it remain fixed there for ever! However, they don’t just stay there in a static manner, they in fact rise in a stream of bubbles, thanks to da Silva’s conviction in her artwork.
Vintage: The bottle contains a Brut Millésimé 1983, made from 40 % Chardonnay from the Grands Crus of the Côte des Blancs region, and from 60 % Pinot Noir from the Grands Crus of the Montagne de Reims.
Weather: After having celebrated the ‘year of the century’ in 1982, who could have anticipated that it would happen again as early as the year after? The vines enjoyed exceptional weather throughout the season, which resulted in a huge harvest of superb quality.
Due to the limited nature of these bottles, they are becoming increasingly difficult to source - particularly the original vintages from the 1980s. Full collections are especially rare. At this age we dont expect these champagnes to be drunk, more of a collector item for the bottle artwork.
With history dating back to 1734, Champagne Taittinger is the third oldest House in the region. When Pierre Taittinger purchased Forest-Fourneaux in 1932, the label was officially born and a century of incredible growth saw Taittinger become one of the biggest producers and one of the last big independent, family-owned Houses. This changed briefly after a takeover in 2005, however the House was bought back into the family in 2006 by Pierre-Emmanuel Taittinger. Today, the brand has been successfully refreshed with entrepreneurial spirit and is firmly under family control: Pierre-Emmanuel retired in 2019 and was succeeded as President by his daughter Vitalie, supported by her brother Clovis who was promoted to Managing Director primarily focusing on global sales.
The proud owners of 288-hectares of vineyards in the best localities, Taittinger self-supply half of their grape needs. The hallmark of the Taittinger style is the high percentage of Chardonnay, providing the characteristic elegance, delicacy and freshness for which their champagnes are so well-known. The pride of the House is the pure-Chardonnay prestige cuvée Comtes de Champagne, a pioneering blanc de blancs that ranks amongst the finest of all prestige cuvées. In late 2015, Tatittinger announced that they had started sparkling wine production in Southern England.
In 2017 Taittinger received two environmental accreditations : the ‘Viticulture Durable en Champagne’ (Sustainable vine-growing in Champagne) and the Haute Valeur Environnementale (HVE – High environmental sustainability.)
Born in 1979 in the region of Dijon, he decided to come to Reims following his MA in Agronomy at the Jules Guyot Institute (University of Burgundy) and ENITA Dijon. He graduated with a Master’s degree in Oenology-Champagne Wines majoring in Quality, Marketing, Legislation and Management. Taking advantage of his educational background he joined a Champagne House in Reims, for which he went to vinify wines in California. From 2007 to 2015, he worked at the Champagne Technological Station as a consulting oenologist. He advised more than 150 wine estates, merchants and cooperators in Champagne (but also in the rest of France and abroad) and accompanied them through the development and marketing of their sparkling wines.
In April 2015, Ponnavoy joined Champagne Taittinger to work alongside Loïc Dupont, immersing himself in the house's philosophy and techniques . After a few years of collaboration, he assumed the role of Chef de Cave in 2017. Ponnavoy brings a more technical and modern approach, with a background in both oenology and viticulture. A mission to uphold the house's style while introducing greater precision and freshness. Continued emphasis on Chardonnay and long lees ageing for top cuvées. Ponnavoy's work is already evident in newer vintages of Comtes and the refinement of the Brut Réserve and Prestige Rosé.
Under Ponnavoy's leadership, Taittinger has reinforced its commitment to sustainable viticulture. The vineyards are managed without herbicides, and practices such as cover cropping and mechanical weeding are employed to promote environmental health and grape quality. Beyond his work in Champagne, Ponnavoy is instrumental in Taittinger's English venture, Domaine Evremond, located in Kent. He applies his expertise to craft English sparkling wines that reflect the same dedication to quality and style as their French counterparts.
Coming from a long-standing Reims family, Loïc Dupont was influenced, from a very young age, by his apprenticeship in the vineyard and wine on the farm of one of his uncles, a harvester-manipulator in Vertus. He chose to complete his training by joining the Reims oenology school, which awarded him his diploma in 1978.
After two jobs, one abroad in a sparkling wine region, he joined Champagne Taittinger in 1984 alongside the Cellar Master Maurice Morlot. There he learned his trade and, above all, the Taittinger style. From 1987 to 1992, he actively participated in the launch of Domaine Carneros a winery created by Champagne Taittinger and Kobrand in the south end of Napa Valley. In 2000, he took up the position of Cellar Master of Maison Taittinger, taking over from Maurice Morlot. His legacy; he is very much the one who fine tuned the Maison style, there was never a weak wine under his tenure, everything was made with a very high level of consistency. Loic also brought that trademark “freshness” to Comtes de Champagne, masterful use of ascorbic acid also known as vitamin C in the right mix acts as an antioxidant.
Today on The Friday Bubble with @essiavellan MW, we compare the new release of Taittinger Prestige Rose NV alongside its predecessor. This is a new blend of Taittinger Rose launched with the dominant year of 2019 vintage in mid 2023.
We are selling an extremely rare complete set of The Taittinger Collection: The Art of Champagne - 13 champagnes in total, from vintage 1978 to vintage 2008.
Earlier this year, we tasted a range of 2018 vins clairs with winemakers at fifteen different houses in Champagne. Thanks to exceptional weather throughout the year, some have been calling it 'the vintage of the century' and expectations are already sky-high. But just how much potential does 2018 have?
The unusual weather patterns in 2018 produced the "perfect conditions for the vineyard", according to new Taittinger Chef de Cave Alexandre Ponnavoy. We met last month to taste the vins clairs, which displayed incredible specificity: each wine showcasing the distinctive characteristics of its individual origins.
Our trip to Reims in August included a smorgasbord of Taittinger: over twenty champagne tasted with head winemaker Loïc Dupont, including an interesting look into the future with Comtes de Champagne 2008 and 2012.
We tasted the 2016 base wines with Vitalie Taittinger, Loïc Dupont & Damien Le Sueur. Discussing the influence of oak barrels, the new 'image of Taittinger Rosé', the potential for Comtes 2016 and Taittinger's new winery; this was a truly eye-opening visit.
