Tasting: Krug Clos d’Ambonnay 2000

 

 

Last week, we were invited to the LVMH offices for an exclusive tasting of Krug’s latest release of their rarest and most prestige Champagne: Clos d’Ambonnay. Steeped in history and grandeur, the story of Clos d’Ambonnay’s discovery is so mystical and prodigious, it’s worth telling again…

In 1991, just two years after Olivier Krug joined the house, a Clos surrounded by a protective wall since 1766 was found in Ambonnay, Krug’s favourite village and largest source of Pinot Noir. The tiny site of 0.68 hectares was purchased in 1994, and the first vintage was produced in 1995. Kept an absolute secret until its release in 2007, Olivier teasingly revealed, “We even kept it a secret from Moët for some years!”

Since the indigenous release of the 1995 vintage, Krug have released expressions of Clos d’Ambonnay from 1996 and 1998 and now, three years after the release of 1998, Krug have released the fourth vintage: Clos d’Ambonnay 2000.

President and CEO of Krug Champagne, Margareth Henriquez was there to greet us at LVMH and she led the presentation and tasting of Krug Clos d’Ambonnay 2000, as well as Krug Vintage 2000 and a very special blend of Krug Grande Cuvée.

The 2000 vintage was very unpredictable, good on the whole, but hail and storms that swept across the region in July prevented it from being exceptional. However, any vineyard that was lucky enough to avoid this inclement weather was certain to produce grapes of an outstanding quality. Fortunately, Clos d’Ambonnay was one of those vineyards. Additionally, the harvest was a late one, allowing exceptional richness in the Pinot Noir grapes – all of which were picked on September 29th – and just 5,158 bottles have been produced of Krug Clos d’Ambonnay 2000, each individually numbered.

Olivier Krug described the Champagne as: “Precise and balanced… I believe we have succeeded in expressing the full potential of this walled plot with true expression and poise. Over the 15 years that Clos d’Ambonnay 2000 has rested in our cellars it has developed astonishing grace and finesse.”

Now there’s no denying this is a luxury Champagne and what struck us immediately were the rich aromatics. A complex kaleidoscope of aroma, hints of turkish delight, honey, lavender and creme brûlée combine to produce a quite unprecedented nose. On first taste in the mouth, there is a notably powerful dryness, but on revisiting, the red berry flavours really shine through. This is floral and light and although in need of a few years’ development to show its full potential, really quite delicious now – but as with any other Clos d’Ambonnay vintage, it all comes back to the price tag. In classic Olivier Krug style, he maintains that Krug Clos d’Ambonnay is “still an experiment.” Albeit an expensive one for the consumer…

After a sampling of Krug Vintage 2000, a Champagne with which we are very familiar, and one that showcases the loud and powerfully dominant Krug style perhaps like no other, the £1,600 question is hard to ignore. Whilst Clos d’Ambonnay is undoubtedly a superior expression of the 2000 vintage, does its superiority warrant its tenfold price tag? Well, if Champagne appreciation was solely an art of number crunching and score comparison, then the answer is quite clearly: no. However, as with any art, the admiration of fine wine surpasses a point of numerical contrast and if we were talking Renaissance paintings, then Clos d’Ambonnay is the Mona Lisa. The economist in me says 10 bottles of Krug Vintage 2000 is the obvious choice, but the wine lover in me now knows that to drink just one glass of Krug Clos d’Ambonnay is to tantalise the senses – a delicately intense and joyful experience of awe and wonder – this is the height of the art and industry we love. Can you really put a price on that?